Category Archives: Fantasy

Identical Medievalish Kirtles

Two years have passed since we last visited the Medieval Week of Visby and we have missed it much. Last week, our neighbour town hosted an event called “The Happy Middle Ages”. As our son suddenly has grown a strong interest for both fairytales and magic, this event felt as if it had been created for him. His older cousins were interested as well. The two teenage girls could borrow my dresses (that don’t fit my 9 month pregnant body very well at the moment), but both of the boys needed new kirtles and my husband’s 12th century kirtle needed some adjustments. I had leftovers from that same woolen fabric and as my boy only would agree to wear an identical garment as his idol cousin, I spent the week sewing two identical kirtles. My boy also made it clear that he would only accept the kirtle if they would suit his new fairytale heroes, Ronja and Birk, so he chose folklore clasps from his pirate treasure (originally rescued from an old cardigan). Thanks to the well known pattern with rectangles and triangles, the last garment was finnished the night before the event. Unfortunately, I must have counted wrong when creating the pattern for the older boy, so that his kirtle was a tad too tight under the arms.

The basic rectangle, with opening for a triangular gore mid front and back (and in the sides).
The finished bigger kirtle, with cardigan clasps.
Very content with his “Ronja outfit”, worn together with monster slippers

I was sorry to have to stay at home, but my dear husband sent many wonderful pictures from the event, which seemed to have met every expectation. There was magic, juggling with fire, combat, wonderful company and hotdogs. Our boy has talked much about it afterwards and I do believe that even his older cousins appreciated it.

Det har gått två år sedan vi besökte Medeltidsveckan senast och vi har saknat det mycket. Förra veckan hölls en medeltidsdag i Västervik, “Den glada medeltiden”. Eftersom vår son nyligen utvecklat ett starkt intresse för både sagor och trollerier, kändes det som om detta evenemang hade skapats för honom. Hans äldre kusiner var också intresserade. Tonårstjejerna kunde låna mina klänningar (som inte passar min nuvarande 9-månaders-graviditetskropp särskilt bra), men båda pojkarna behövde nya kjortlar och min mans 1100-talskjortel krävde några justeringar. Jag hade kvar lite av samma blå ylletyg och eftersom min son bara gick med på att ha på sig en identisk dräkt som sin kusin och idol, spenderade jag veckan med att sy och justera tre dräkter i samma tyg. Sonen hade även klargjort att han bara skulle använda dräkten om den liknade något som Ronja eller Birk kunde ha haft, så han fick välja folklore-spännen från sitt piratskrin, som vi fyllt med knappar från en gammal koftor. Tack vare det välbekanta mönstret med rektanglar och trianglar så lyckades jag göra klart den sista dräkten kvällen innan evenemanget. Tyvärr måste jag ha räknat fel när jag gjorde kusinens mönster, så det var rätt trångt under armarna.

A fairytale creature climbing the cliffs.

Det tog emot att stanna hemma, men min käre man skickade flera underbara bilder från evenemanget, som verkade uppfylla alla förväntningar. Det bjöds på trolleri, eldshow, medeltida krigskonst, ypperligt sällskap och varmkorv. Vår son har pratat så mycket om det efteråt och jag tror att även kusinerna uppskattade det.

Together with the magician Arkadia
The last freezing picture from the event. I think they look pretty amazing. 😍

Earlier this summer, I also made this kirtle for another cousine, who felt like a princess in hee new dress. Perhaps even that family might be converted eventually.

Tidigare i somras sydde jag även denna kjortel åt en annan av kusinerna, som kände sig som en prinsessa i sin nya klänning. Kanske kommer även den familjen omvändas så småningom.

Share

3rd in the Conteset

Since I published the pictures of my gown for the Serpent Witch, I have recieved so many incredibly fine comments from those who saw my facebook post. As it attracted so much attention, I was interviewed by the local newspaper and the interview and pictures got two and a half pages! After that, even more people (both acquaintances and strangers) have shown their appreciation and I feel a bit like a local celebrity. The interview was obviously so good that they now want to make another interview concerning the interview.

2nd of April the finalists were announced and I was one of five finalists in my category (out of 192)! There were so many fantastic entries that I cannot grasp that some people actually chose to vote for me. I feel so honoured, humble and thankful. Below you see the five finalists from my category and if you click on the picture, you will be directed to the page where you see the finalists from each category.

On the 9th of April, Ruth Goodman announced the winners (my absolute favourites on first and second place, huzza!) and I was on the third place! I am so happy, honoured and proud.

Share

The Serpent Witch – Photo Shoot

Now the Snake Witch garment is finally finished!

So, for those of you who have not followed this project from the beginning, I want to introduce the Lady of the Green Kirtle, the Queen of the Underland or the Green Witch, from The Silver Chair, in the book series of Narnia by C.S. Lewis. She is perceived as a lovely, beautiful creature by those who meet her, but the story shows that she is a ruthless ruler and a witch who sometimes transforms herself into a serpent. She is described as tall, slender, with glimmering skin and wearing a flowy green gown.
My pretty silk is woven by green and red thred and looked very green laying flat. Along the way I understood that my Green Lady would have to accept the more purple tone, which became even more dominant with the pinkish arms. I am very pleased with how she turned out. Here she is!

För er som inte har följt mitt projekt från start, vill jag presentera Gröna damen, Drottningen av Underjorden och Ormhäxan, från C.S. Lewis ”Silvertronen”, i Narnia-serien. De som möter henne uppfattar henne som en älskvärd, vacker kvinna, men genom berättelsen framgår det att hon är en hänsynslös härskare och en häxa som ibland förvandlas till orm. Hon beskrivs som lång och smal, med skimrande hy och med en grön böljande klänning.


Mitt vackra siden är vävt i grönt och rött och såg väldigt grönt ut när det låg ner. Under konstruktionens gång har jag insett att min Gröna Dam måste acceptera en mer lila ton, vilken blivet ännu mer framträdande med de rosaaktiga ärmarna. Jag är väldigt nöjd hur hon blev. Hoppas att ni ska gilla henne!

The corset is by no means perfect, but it is far better than any corset I have made before. I made 4,5 mockups and learnt new techiques, as rollpinning, stitching in the ditch, using fray check etc. This is thanks to the Stitchlings’ community and the fantastic mentors of Foundations Revealed.

Korsetten är inte i närheten av perfekt, men den är så mycket bättre än de korsetter jag tidigare har sytt. Jag har använt nya tekniker, som roll pinning, stitching in the ditch, använt “fray check” mm.. Detta är tack vare Stitchlings’ community och de fantastiska metorerna på Foundations Revealed. Allt korsettmaterial och en del klänningsdetaljer är köpt på Vena Cava Design.

I am so pleased with how the dress turned out and so glad that I made the corset for it – it really gives the dress a more regal silhouette. For the dress I started with making the foundation piece in lightweight cotton and polyester for the skirt, with tulle attached for giving the skirt the right silhouette. I used 9,5 metres of silk for the dress. All hems are hand stitched. The hem of the skirt is lined with horsehair. The arms are detachable, so that I can use it as a modern ball gown, would such an opportunity ever appear. The belt is made from four twisted strands of steel wire.

My dear friend Josefine Antonsson shot these beautiful pictures yesterday, when we had finally been blessed with a thin snow powder on the naked ground. Thank you so much!

You can follow the whole journey from idea to sewing the different parts here: Part 1, Part 2, Part 3.

Jag är så nöjd med hur klänningen blev och så glad för att jag valde att göra korsetten till den – korsetten ger klänningen en mer kunglig silhuett. Jag började med ett undre lager med tunnt bomullstyg i livet och polyesterfoder för underkjolen. Längst ner fäste jag tyll för att få rätt silhuett. Jag använde 9,5 meter siden till själva klänningen. Alla fållar är handsydda. Kjolfållen är dessutom fållad med “hästhår”. Ärmarna är avtagbara, så att jag kan använda klänningen som modern balklänning, om det någonsin skulle dyka upp ett sådant tillfälle. Bältet gjorde jag genom att fläta fyra stråltrådar.

Min vän Josefine Antonsson tog dessa magiska bilder igår, när vi äntligen välsignats med ett tunnt vitt snöpuder över den nakna marken. Tack så mycket!

Du kan följa hela processen från idé till sömnad av de olika delarna här: Del 1 och Del 2 och Del 3.

Share

Serpent Witch Part 3 – finishing touches

I wanted to try horse hair lining for the hem of the skirt, in order to have a more professional finish. Haha. That did not work out very well, as I had placed the horse hair upside down and the thin fabric was distorted. I had to unpick everything again, start from the beginning and finish it by hand instead.

I had pondered on whether to leave the dress without arms or not, but as the skirt was finished, I thought it did not look enough fairytale like. I had a dupioni silk (given by a friend, Carolina Holmström) laying in my stash, matching the gown perfectly.

I wanted a late medieval S-arm with shiny buttons, preferably 10 on each arm. I used the pattern from my late 1300s cotehardie. Unfortunately I had only ten buttons totally, so I spaced them out in the best way I could.

After finishing the cotehardie arms, with handsewn buttonholes and metal buttons, I used the scraps I had left of the dress fabric for the flowy arms. Everything was hemmed by hand. I had time for it, thanks to a nasty cold causing one week of isolation, due to the Covid restrictions.

As the dress was finally finished, I tore my corset mockup apart, so that I could use the busk and boning for the real corset. This time, I tried to make everything as precisely as possible – rollpinning, basting, using waist band, fray check, stitching in the ditch etc.

After trying the corset on for only three times, I found out that the wonderful satin was already straying away from the eyelets.

I have got wonderful advice from the mentors and Stitchling members on the Foundations Revealed Community, so that this will not happen again, with the next corset.

There are a lot of new wrinkles, which I suppose depend on the silk behaving different than the mockup material. My uncorseted waist measure is 72 cm, but laced up its 62,5 cm – so almost 10 cm reduction. Overall I am very pleased with the corset. It is so much better than my earlier ones and I have learnt so much that I want to apply on new projects.

Compare this to the first mockup, and you will understand why I am content, even though there are some issues left.

Share

Serpent Witch – Part 2 – draping the blob into a fairytale gown

After achieving the right shape for the corset mockup, I have aimed at making the smoothest foundation possible, to go underneath the lightweight silk. A few minutes at a time, I sketch, measure and sew. Tiny steps, over and over again. At last it begins to look like a dress.

Efter att uppnått rätt silhuett på korsetttoillen, försöke jag skapa den jämnaste grunden jag kunde, för det tunna sidenet som ska vara ytterst.  Jag har skissat, mätt och sytt några minuter åt gången. Små steg i taget, om och om igen. Till slut börjar det likna en klänning.

Draping and finding out that it will be best to use a bodice and then an attatched skirt

First, I made the bodice part, from a lightweight cotton, that I got from Birgitta. It has a long zipper under the arm. It has two darts in front and, mistortunately two gussets at the lower back (don’t ask me why). Then I added a skirt, made from a synthetic lining fabric, that I got amongst the most beautiful fabrics from Sollan, through Carolina Holmström. In order to get the right  flowy shape, I have added tulle in several rows, smother in the front and more gathered in the back.

Creating a bodice pattern from the draped fabric

Först sydde jag klänningslivet av rester från ett tunt bomullstyg som jag fått av Birgitta. Livet har en lång dragkedja under armhålet, två inprovningar framtill och två sprund i ländryggen (fråga inte varför). Sedan sydde jag fast en underkjol, av tyg som jag fått tillsammans med flera fantastiska tyger från Sollan, genom Carolina Holmström. För att få till den perfekta böljande formen, fäste jag sedan tyll i flera rader nedtill på kjolen – mest rynkade baktill.

Finished bodice with zipper
Petticoat with tulle, to get the right shape

The fashion fabric is a very lightweight dupioni ikat from Khiva (an ancient city along the Silk road), that I got from my mother years ago. Since it doesn’t fit the historical fashions that I use to do and is too beautiful to use for any project, it has just layed in my stash, to be taken out and be stared at for a while every year. I was thrilled when I finally found out that it would suit my serpent witch!

Klänningstyget är ett tunt ikatmönstrat dupionsiden från Khiva (en uråldrig stad längs sidenvägen), som mamma gav mig för många år sedan. Eftersom sådana tyger inte förekommer under de historiska moden som jag sysslar med, har tyget legat i en låda för att bli framplockat och stirrat på med jämna mellanrum. Jag blev så glad när jag kom på att det skulle passa fint på ormhäxan!

It is 60 cm wide and good 9 m long. I have measured and counted so many times, trying to figure out how to cut the fabric and have something left for the sleeves. Finally I have decided to just finish the dress and see what I can come up with with, using what fabric is left afterwards. Oh, the horror.

Tyget är 60 cm brett och drygt 9 m långt. Jag har mätt och räknat så många gånger, för att lista ut hur tyget ska klippas och ändå få något över till ärmarna. Till slut har jag bestämt mig för att göra klart klänningen först och se om det sedan klura ut hur ärmarna ska se ut, utifrån hur mycket tyg jag har kvar då. Kära hjärtanes.

Draping the blob into a fairytale gown

Now I have started draping. It is great fun! But it is challenging to save the hemline at the right height as I  manipulate the fabric. I put a pin in every wrinkle and will then secure all of this stiching by hand with my finest needle. This will take maaaany hours.

Nu har jag börjat drapera tyget. Det är superkul! Men det är knepigt att bevara rätt höjd på kjolfållen medan jag manipulerar tyget. Jag sätter en nål i varje veck och ska sedan fästa allt detta med handsömnad. Detta kommer ta mååååånga timmar.

Share

Serpent Witch – Part 1

Dress Diary Part 1

Background

The journey has finally begun! The theme of next year’s Your Wardrobe Competition is any character from any literature.  Exciting, isn’t it?! I haven’t been able to decide on which character to go for, as I feel like I can’t go down the Jane Austen lane and yet another regency gown. Unfortunately the Elizabeth Gaskell characters are from particular years that I am not willing to spend a year on recreating and the wonderful characters of Dickens are either too young or too old for me. There are some sympathetic background characters in Astrid Lindgren’s books, but I have already made a competition piece inspired by her Edwardian teachers. I have already seen many go for my dear Tolkien characters. For a while, I thought about making a dress for David Eddings’ Polgara.  Then there is a character in the Narnia book “The Silver Chair”, which actually has tickled my mind for many years – the Green Witch! When I was a child I dreamed of designing a dress for her, but then I lacked the skill to carry it out. Now, as a member of the Stitchling Society, surrounded by true masters, I  think that I actually might be able to pull it through!

The Green Witch

I read the passages with the witch again (in Swedish). She is obviously the most beautiful creature Prince Rilian has ever beheld. Haha! She is very slender, with curly hair and glimmering skin. Her dress is flowy, in a venomous green colour.

I want to make a dress for this lovely lady! In order to get such a slim waist, I will need a corset with waist reduction and breast padding. As I like the victorian take on the medieval fashions (especially the preraphaelite take on this), I  will make what I call a Medievorian dress. I will use my lightweight dupioni fabric from Khiva, hoping to create a flowy texture on top of the corset base. I have not  yet  decided  what  the  arms  will  look  like,  as  I am  not  sure  how much  fabric  will  be  left  when  the  rest  of  the  dress  is  finished.

I want to make some kind of belt, incorporating her serpent avatar.

Corset

I made a self drafted corset pattern by Cathy Hay’s tutorial, years ago. Because of lack of money and thus lack of the right materials I have never finished it. I have returned to it several times, though, and drawn cryptical lines… I believe I originally made it for giving 2″ waist reduction and some push up.

Here comes my several mockups.

These lines must have been for an Edwardian shape? The corset fitted like a glove, but gave no extra shape.

2nd mockup, with straight lower line, some waist reduction, but no extra room for breasts. Made from a bed cover fabric, a gift from my brother.

3d mockup with too big bust, and back skin spillage because of breast padding pulling the corset forward. I add 2 cm sloping waist.

4th mockup much better, but I reduce the bust a little more and change bent steel boning for spiral steel at the bust. In the sides I add heavily bent steel boning.

4,5 mockup – almost perfect? Sloping waist, waist reduction and padding for the breasts.

Now I am ready for draping the foundation layer and then the dress on the corset mockup. Hopefully I will have time both for finishing the real corset, the dress and accessories in time for the competition.

Share

Medieval Kirtle

This summer was wonderful, but intense. At the first day of my vacation I realized that I would have to prepare three different repertoires for the four concerts in three weeks, so I understood that I needed to finish my sewing projects quickly.  Said and done. In one day I finished a modern dress for my friend, I made a kirtle for my sister’s boy to wear at the Medieval Week of Visby and I also finished the regency waistcoat for my husband. The extremely simple regency dress was sewn in one day on sewing machine, but I finished the long roll hems the other day.

Den här sommaren var underbar, men intensiv. Första dagen på semestern insåg jag att jag måste lära in tre olika repertoarer för de fyra sångtillfällena, fördelade över tre veckor, så jag förstod att jag måste slutföra mina påbörjade sömnadsprojekt innan detta. Sagt och gjort. På en dag sydde jag färdigt en klänning åt min vän, jag sydde en kjortel åt en pojke som skulle med till Medeltidsveckan i Visby och jag blev äntligen klar med en empirväst åt min man. Dessutom blev sydde jag en ny, extremt enkel empirklänning, men handsydde fållarna för några dagar sedan.

Quick Medieval Kirtle

Last summer I helped my nieces sewing their own medievalish dresses for Söderköpings gästabud. This summer we had planned to take their whole family to the Medieval Week of Visby for a day, so now their little brother also needed a kirtle. I used a fabric that I found in a second hand shop and the usual “squares and triangles method”.

Förra sommaren hjälpte jag mina systerdöttrar att sy deras egna medeltida klänningar till Söderköpings gästabud. Den här sommaren skulle hela deras familj följa med oss till Medeltidsveckan i Visby. Därmed behövde även lillebror en kjortel. Jag använde ett tyg som jag hittat på Eriskhjälpen. Den är gjord efter “fyrkanter och trianglar-metoden”.These are the pattern pieces that I used.

Detta är alla mönsterbitar jag använde.

After having sewn the front piece to the back piece, I made the arms (which were way too long). I attached the square gusset for the armpit first, then I stitched the rest of the arm and last I inserted the arms into the kirtle.

Efter att jag sytt samman framdelen och bakdelen, sydde jag armar (alldeles för långa). Jag satte fast de fyrkantiga ärmsprund innan jag sydde samman ärmen och satte in den i själva kjorteln.

Then I inserted the triangle gussets into the front, back and side seams. Last sew the hems by hand. I believe I made this in about four hours.

Sedan satte jag in trianglarna mitt fram, mitt bak och i sidorna. Slutligen fållade jag för hand. Jag tror att allt detta tog fyra timmar.

My nephew was most dashing in his new garment! Unfortunately the best picture was taken in front of some cars, so my mother helped me blend that picture with her picture of a medieval french castle. Isn’t it awesome?!

Pojken var väldigt fin i sin nya dräkt! Tyvärr togs den bästa bilden framför några bilar, så mamma hjälpte mig att sammanfoga den bilden med en av hennes bilder av ett franskt medeltida slott. Är det inte en fantastisk bild?!

And here are some pictures from the Medieval week.

Här kommer några bilder frön Medeltidsveckan.

Our family, looking like going on a roller coaster

Fair young maiden in a romantic ruin

I will soon make a new post showing off the summer dress, the regency waistcoat and the extremely simple regency dress.

Snart ska jag även göra ett inlägg om sommarklänningen, empirvästen och den extremt enkla empirklänningen.

Share

Medievalish

Two years ago, we planned on going to the Medieval Week at Visby together with my brother and my sisters family.  At the eleventh hour, I noticed that we had booked the ferry ticket and hotel nights for the wrong week.  Oh, the horror.  We comforted ourselves by going to the beautiful castle of Tjolöholm instead, where there was a Jane Austen display. My nieces have been very keen on experiencing the Medieval week though. I had no vacation this summer, so Visby was out of the question, but I had time for a day at the medieval fair at Söderköpings gästabud.

With a tiny bit of help from me, my nieces made their own gowns – all from cutting to sewing. I am so proud of them! We used fabric from my stash. The green cotton was initially blue, but became green when I was trying to dye it black for the Scary Robe. The pink linen was a huge table cloth. The dresses are made from rectangles and triangles. As the fabric is so unmedieval, the girls went all in by using Tanzanian wooden belts fort decoration. I think that they look like fantasy princesses!

Linen kirtle and liripipe hood out of soft wool

They asked me several times what our boy would wear. Eventually I could not resist making a little kirtle for him, out of an old linen skirt.

Earlier, we worn the cheapest underwear, made out of old cotton bed sheets. At our last stay at the Medieval week though, I bought linnen. During my internships far away from home, I spent the lonely evenings hand stitching a new shirt and a pair of breeches for my husband. I made a new chemise for myself the last night, on machine. I am quite proud of that I succeeded in making alterations for my husbands cotehardie. I made it for him ten years ago, when he was quite slender. Since he began bodybuilding, he has not been able to get into these clothes again. Astonishingly, I seem to have been wise enough to save broad seam allowances, so that I could make both the torso and sleeves wider. After adding sleeve gussets at the shoulders, he was even able to move!

New underwear: linen chemise, shirt, breeches and a little kirtle for the boy

The day at Söderköping was cosy. Off course, it could not compare with Visby, but our boy was happy in the clothes (he had my liripipe hood because of the cold weather) and my nieces were happy to play with him for a whole day.  The city is beautiful; the main part consists of pretty wooden houses from the 19th and early 20th century. The market was nice and I found a nice fabric for a new modern coat. All together, it was a nice day, in great company. Thank you, dear nieces!

Share

Scary Robe for Child

Some weeks ago, I heard something that made my heart melt. A seven year old boy said that I am the best seamstress in the world. I tried to explain that this was not the case, but he insisted. Because

“You are even better at sewing than my own mother!”

This dear boy asked me if I could help him sew a robe that he could wear together with his Scream mask, or perhaps help him making his own gym bag? Because of my baby, I do not know how much time there will be for teaching him how to sew, so I decided to make the robe as a birthday gift.

För några veckor sedan fick jag höra något som fick mitt hjärta att smälta. En sjuåring sa att jag var bäst på att sy i hela världen. Jag försökte förklara att det nog inte var riktigt sant, men han höll fast vid sitt påstående, för

“Du är till och med bättre än min mamma på att sy!”

Denne fine pojke undrade om jag inte kunde hjälpa honom att sy en jättehäftig dräkt, som han kunde ha tillsammans med sin Scream-mask, eller om jag kanske en gympapåse? På grund av min bebis visste jag inte hur mycket tid det skulle bli över för att lära ut sömnad, så jag bestämde mig för att sy dräkten till hans födelsedag.

This is what I envisioned – a dramatic robe with a lot of fabric that would fly behind the boy as he ran around scaring everybody. I did not have any black fabric, but I had recently been given some colored cotton fabrics, that I thought were exactly the same kind, except for the green and blue color. I dyed the fabrics black, but discovered that only the blue fabric became fully black. The green took a darker shade, but was still very green. I could not use that piece, so I had to make do with much less fabric than I had intended to use.

Så här såg min vision ut – en dramatisk rock med massor av tyg, som skulle flyga bakom pojken när han sprang runt och skrämde folk. Jag hade inget svart tyg hemma, men hade nyligen fått färgade bomullstyger, som jag trodde var av samma sort. Jag färgade det blå och gröna tyget med svart textilfärg, men upptäckte att bara det blå tyget blev helt svart. Det gröna hade antagit en mörkare nyans, men var fortfarande väldigt grönt. Jag kunde inte använda det tyget, så jag fick försöka klara mig med mindre tyg än jag hade planerat för.This is the very simple construction of the scary robe. I used the following measurements:

  • height
  • length from shoulders to floor
  • arm length
  • neck circumference
  • length from base of the neck over the head to the other side
  • length from forehead to backside of the base of the neck

All this with some extra cm, especially for the hood.

Detta är den extremt enkla konstruktionen av den läskiga rocken. Jag använde följande mått:

  • längd
  • längd från axlar till golv
  • armlängd
  • nackens omkrets
  • längd från nackens bas över huvudet och ned på andra sidan
  • längd från pannan till baksidan av nackens bas

Alla dessa mått med några centimeter extra, särskilt för luvan.

I gathered the double shoulder measurement in pleats and cut a hole for the neck and made a vent at the front. The vent kloses with a hook and eye.

Jag samlade det dubbla skuldermåttet i veck över axlarna och klippte ett hål för huvudet och ett sprund mitt fram. Sprundet stängs med en hyska och hake.

This is how it looked after making the hems. The pleats were secured with 5 centimeter machine stitches.

Så här såg det ut efter att jag fållat halslinningen. Vecken sydde jag fast med 5 cm långa maskinsömmar.

As I did not have enough fabric for following my own pattern, I used the fabric as is seen on the picture to the right. I had to join three pieces for the hood. I tore away threads lenghtwise, in order to give a rugged edge to the hood and arms. At the bottom of the arms, I also shreded the fabric at the bottom by hand. I stitched the front and back together with some few stitches just beneath the armpits.

Eftersom jag inte hade tillräckligt mycket tyg för att följa mitt eget mönster, använde jag tyget som ses på skissen här till höger. Jag skarvade ihop tre bitar till luvan. Jag rev bort trådar för att få kanterna på luvan och ärmarna att se slitna ut. Längst ned på ärmarna rev jag sönder tyget för hand. Jag sydde ihop fram- och bakstycket med några få stygn precis under armålorna.

This is how it came out.

Så här såg det ut till slut.

The boy was very pleased with his gift and I believe that I am still his seamstress idol.

Pojken var mycket nöjd med sin present och jag tror att jag fortfarande är hans sömmerske-idol.

Share

Fantasy Cloak

Denna mantel sydde jag inför min första Medeltidsvecka, år 2005. Efteråt har jag insett att den är föga medeltida och har därför inte använt den vid senare besök i Visby. Istället för att fortsätta förvara den i mörka gömmor, överlåter jag den nu till en ny ägare, som förhoppningsvis gör den större heder än jag. Innan jag skiljs från den, vill jag ha den dokumenterad, så här kommer några bilder på manteln i höstlig natur.

I sew this cloak for my first visit at the Medieval Week of Visby, in 2005. Afterwards I have realized that it is hopelessly non-medieval and have therefor not used it at my later visits in Visby. Instead of keeping it stowed away in a box, I will now part from it. The cloac will pass on to a new owner, who hopefully will use it more than I did. Before I part from it I want to have it documented though, so here come some autumn pictures from the pastoral landscape of Spørring.
image
imageimageimageimage

Share